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Your Ultimate Guide to Summer Festivals and Concerts in 2015

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By Charlene Oldham, Contributor


For music lovers, a summer festival featuring hundreds of bands and artists might seem like a great entertainment expense. But, as any festival goer can attest to, the overall cost of attending a music festival can run pretty high.

A 2014 general admission ticket to 11 music festivals surveyed by Complex magazine cost anywhere from $200 to $400. The average cost of a bottle of water was $4, and a beer would set you back $8.50. Still, those prices don't deter the hundreds of thousands of music fans who flock to festivals every spring and summer. In fact, the total combined sold-out attendance for both weekends of the Coachella Valley Music and Arts Festival, which kicks off festival season each spring in Indio, Calif., came in at 96,500 per day in 2014 for a total of 579,000 and a gross of $78,332,000, reported Billboard Boxscore.

Most music festivals aren't cheap, but if you plan ahead and don't mind sharing shuttles, camping space or even a local's home, you might save enough to attend more than one this summer. Ashleyan Lopez, who writes about music for AXS, recommends trying Airbnb.com for inexpensive lodging options, as well as stocking up on snacks, alcohol and other drinks before going to the festival grounds. She also advises doing your research on which water bottles you might be able to bring from home since many music festivals now offer environmentally friendly refill stations.

Getting to and parking at these festivals can be a headache, not to mention a drain on your wallet. If you let the festival's location help dictate your transportation options, you could end up saving money, though. In a city like Philadelphia, for instance, public transportation offers an affordable alternative to finding a spot for a car you won't need once you get there.

"We had to pay a lot for parking," said Lopez about her experience at the Budweiser Made in America Music Festival in the east coast city. "But in a festival like Mysteryland, it is best to carpool there -- free parking and friends can pitch in for gas."

Below are more tips on how you can save money at some of the biggest music festivals taking place this summer.

Governors Ball Music Festival


Date: June 5-7, 2015

Location: Randall's Island Park, New York City

Ticket Prices: $275 for a regular three-day general admission; $120 for a single-day regular general admission pass

Drake and The Black Keys are among the headliners for this year's Governors Ball, which invades Randall's Island Park nestled in the East River between Manhattan, Queens and the Bronx. A three-day, round-trip ferry pass between Manhattan and the park costs $55, and a three-day pass for round-trip shuttle rides between Randall's Island and Brooklyn costs $65. The park is also accessible by subway and bus, so most festival attendees won't have to worry about extra parking fees.

Listed rates at the festival's partner hotels range from nearly $200 a night at a Holiday Inn in Long Island City to more than $400 a night at Courtyard by Marriott on the Upper East Side. There is no overnight camping at the island, so attendees better start shopping around or saving up for pricey accommodations now if they want to have any cash left over for a Ramen Burger or a Luke's Lobster roll.

Tip: Governors Ball provides free water filling stations, and regulations allow festival goers to bring in two factory-sealed, non-glass water bottles. 

"Bring your own water bottle," says Jon Lal, founder and CEO of BeFrugal.com. "Festivals are usually required to provide a free source of clean water, which can save you money on the overpriced bottled water sold at the food vendors."

Bonnaroo Music and Arts Festival


Date: June 11-14, 2015

Location: A 700-acre farm in Manchester, Tenn.

Ticket Prices: $299.50 for a Level 1 four-day general admission pass; $324.50 for a Level 2 pass

General admission passes for this festival, which features Billy Joel, Mumford & Sons, Deadmau5 and Kendrick Lamar this year, include parking and camping fees, so money-conscious music lovers should plan to pitch a tent. General admission RV passes are also available for $250, and you can add parking for a companion vehicle for an additional $25.

A couple of hotels in nearby Murfreesboro are offering packages that include a four-night stay, full breakfast each morning, a trip to and from the airport, daily shuttles to and from the festival and other perks. Package prices at the Embassy Suites range from $1,009 for a single and $589 each for a four-person room.

Once there, use the Bonnaroo app to find affordable food and beverages. And if you want to look like a Bonnaroo veteran, some T-shirts and other discounted merchandise from previous years are available in the online shop.

Tip: If you apply and are accepted into the Bonnaroo volunteer "C'roo," you'll receive access to the festival whenever you are not working. Volunteers also get a T-shirt, free showers, a meal token for every shift worked and other goodies.

Vans Warped Tour 2015


Dates: June 17-Aug. 8, 2015

Location: Various cities in the U.S.

Ticket prices: Prices vary by location, with many general admission tickets falling somewhere between $35 and $40

More of a multi-act concert tour than a traditional festival, Warped Tour hits 40-plus cities in the U.S. over the summer before doing a single fall show in London on Oct. 18. The tour offers a varied lineup from show to show that includes everything from spoken word artists to hardcore rock bands. And, because it doesn't draw hundreds of thousands of fans like some other multi-day festivals, music lovers can usually find reasonable deals on accommodations and parking.

Attendees are allowed to bring one sealed bottle of water and one small, homemade snack. Water refill stations are available, and the Warped Tour website also states organizers have "worked with venues and promoters to create a lower water price per bottle at all Warped shows this summer."

Tip:  If you're a parent, you can receive one complimentary ticket for accompanying your minor. You just have to be more than 28 years old.

Firefly Music Festival


Date: June 18-21, 2015

Location: The Woodlands of Dover International Speedway in Dover, Del. 

Ticket prices: $329 for an Encore four-day pass

Paul McCartney, Kings of Leon, The Killers and Snoop Dogg will be performing at the Firefly Music Festival, which expects to draw 90,000 attendees per day, reports Billboard. General tent camping from Thursday through Monday for up to six people costs $149 and includes one parking spot and access to showers and other amenities. General RV camping for up to eight people costs $299 and does not include an additional spot for a passenger vehicle.

For those who want to camp with friends and park their cars separately, a parking pass for Wednesday through Monday morning costs $40 and includes two shuttle passes. Also, day parking at the Dover International Speedway is free.

If you don't want to share a campground with more than 70,000 neighbors, rooms at nearby partner hotels participating in the Hotels for Hope program have different rates to fit your budget. For example, it costs $109 a night at the Courtyard by Marriott in downtown Wilmington and $192.52 at the Westin in Wilmington.

Tip: "Bring sunglasses, sunscreen and a hat to protect you for the elements -- as well as a plastic bag to protect your electronics, in case of rain," advises Lal. "These will all be available for purchase, but at a marked-up price. Avoid those costs by bringing your own."

Read: How to Book a Hotel for Less Money

EDC Las Vegas


Dates: June 19-21, 2015

Location: Las Vegas Motor Speedway in Las Vegas

Ticket prices: $699 for VIP three-day ticket

The Las Vegas festival features more than 200 top dance music artists, including Calvin Harris, Avicii and Tiësto. Free parking is available at the Speedway, and valet parking is $20. Three-day general admission tickets, however, are sold out.

Couples can take advantage of free commitment or renewal ceremonies or a legal/non-legal wedding package that includes six digital photos, a themed ceremony and other perks for $320. Those who want to make it legal should bring a marriage license, which costs $60 cash at the Clark County Marriage Bureau.

You might have better luck finding affordable hotel rooms off the Las Vegas strip. The MGM Grand Hotel and Casino has an average nightly rate of $200 to $250, but the Tuscany Suites and Casino's nightly average rate is as low as $159.

Tip: The festival offers shuttle rides between the Speedway, one downtown location and eight different spots on the Strip, including the MGM Grand, Mandalay Bay and more for only $15 per trip.

Summerfest


Dates: June 24-28, 2015 and June 30- July 5, 2015

Location: Henry Maier Festival Park in Milwaukee

Ticket prices: $19 for a one-day general admission ticket; $12 for a one-day weekday admission

Tickets for big acts at the Marcus Amphitheater, including The Rolling Stones, Ed Sheeran and Carrie Underwood, will cost you extra. In fact, attending Underwood's performance on July 2 can set you back $96.40. But, with more than 800 acts on 11 stages over the course of 11 days, as well as a Ferris wheel that costs only $5 a ride and a bacon-eating contest where you could win a year's supply of bacon, a general admission ticket offers access to plenty of bang for not very many bucks.

Those who planned ahead this year could get a free weekday admission when purchasing a $19 general admission pass. Parking passes range from $10 to $35, depending on the lot and the date. Some spots are already sold out, so if you know when you plan to attend, purchase your passes soon. The event site lists a few nearby hotels with Summerfest packages that range from $189 a night at the Hilton Milwaukee City Center to $294 a night at the Pfister Hotel.

Last year, food vendors included local favorites like beer-battered cheese curds from Famous Dave's for $6, as well as fries and a deep-fried polish sausage on a bun for $8 from Martino's.

Tip: Look for special promotions that can get you free general admission tickets or discounted tickets. For example, you could possibly get free admission or a discount for donating to Goodwill, buying Quaker granola bars and more.


Related: StubHub Vs. Ticketmaster: Where Is the Best Place to Get Cheap Tickets?



Lollapalooza


Date: July 31-Aug. 2, 2015

Location: Grant Park in Chicago

Ticket prices: $110 for a one-day pass; $275 for a three-day general admission pass

Three-day passes for this year's festival sold out in just 45 minutes, according to Crain's Chicago Business. Future festival goers looking to get the longer, more economical pass better have their credit cards ready when they go on sale next year. VIP passes are also sold out, leaving only pricey platinum passes and travel packages available for those who want to attend the whole festival and catch acts such as Paul McCartney, Metallica and Sam Smith.

There are several options for hotels, including rooms for $179 a night at the Hyatt Regency McCormick Place, which offers a free shuttle to Grant Park. But attendees who bring a vehicle can save themselves some cash and hassle by reserving parking in advance through Lollapalooza's SpotHero site, where advance prices for nearby spots for Aug. 1 range from $10 to $75.

You can bring two factory-sealed water bottles of up to one liter each. You can also bring empty Camelbacks, empty Camelback water bottles and similar empty plastic containers to fill with water once you get to Grant Park.

Tip: "If you are really only interested in seeing a few artists or if you know you won't be able to go every day, buy single day passes when available," says Ashley Kubiszyn, marketing and communications director for the online ticket marketplace TicketCity. "Lollapalooza, Austin City Limits, Governors Ball and CMA Music Festival all offer daily passes as well as many more [festivals]."

Budweiser Made in America Festival


Date: Sept. 5-6, 2015

Location: Benjamin Franklin Parkway in Philadelphia 

Ticket prices: TBA

Kanye West headlined festivals in both Philadelphia and Los Angeles last year. A Los Angeles show hasn't been announced yet this year, nor have the headliners for this year's Philly fest.

For those interested in heading to Philadelphia for Labor Day weekend, room rates at the Marriott Residence Inn near the festival location were listed at around $299 a night for that Saturday and Sunday. Although parking rates at several lots near the festival are listed as low as $9 and as high as $32 -- according to philapark.org -- road closures and elevated event rates will make you wish you left your car at home or at your hotel, says Lopez.

Tip: PHLASH transportation offers an affordable way around the Parkway area ($2 per ride or $5 all-day). Last year, the PHLASH bus operated Saturday and Sunday with stops at 20 locations between Penn's Landing and the Philadelphia Museum of Art.

Keep reading: Being Happy Is About Spending Money -- on Experiences

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A-Sides with Jon Chattman: Get "Ready" for Kodaline; Catch What "Contagious" Night Riots Have

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Kodaline images above and videos below courtesy of shootmepeter.com.

So many of the friends I had as a kid have come and gone. Sure, some of them are "friends" on Facebook but it's not the same. It's not like I'm sharing stories over beers or coffee, and I'm certainly not in a band with them. Well, I guess that's another reason to be jealous of Kodaline. The Dublin-bred rock band of childhood pals Steve Garrigan (lead vocals) Mark Prendergast (guitarist), Jason Boland (bassist) and Vinny May (drummer) have been a mainstay on alt-rock radio since they dropped their debut album - In A Perfect World - in October 2013, and rightfully so. The album was killer, and its single "All I Want," in particular, was featured in several television shows (Grey's Anatomy), movies (The Fault in Our Stars), and ad spots. As it should have - that song is gut-wrenching. But, they're more than just a pretty first single.

Kodaline's sophomore album, Coming Up For Air , just dropped and they're sharing more ear love. The band recently took part in an A-Sides session, performing a pair of songs ("Ready" and "The One"), sitting down for a chat, and as you can see above, spontaneously playing a game of musical chairs.

"Ready"


"The One"


Interview


Like Kodaline, Night Riots have had a lot of traction on alternative rock stations and have been buds for quite some time. Formed in high school, the band, formerly known as PK, have been making music that sort of sounds like Gaslight Anthem fronted by Robert Smith or the other way around, or maybe not even at all. Comparisons suck sometimes. Let's just say Night Riots have a unique alt-rock sound all their own, and proved it on their current hit "Contagious," which hit number one on SiriusXM Alt Nation's Alt18 Countdown. The song comes off the Cali band's Howl EP, which immediately hit the Billboard Heat Seekers Chart.

The band - Travis Hawley (Lead Vocals/Synth), Nick Fotinakes (Guitar), Matt DePauw (Guitar), Mikel Van Kranenburg (Bass) and Rico Rodriguez (Drums) - recently filmed an A-Sides session at Primary Wave in NYC. Before you have a look and a listen, check their tour dates for the summer. Round, round they get around.

"Contagious"


Watch the interview with Night Riots, click here.

A-Sides "Delve Into Twelve" Countdown
Each week A-Sides unleashes its top 12 tracks of the week AKA the "Delve Into Twelve" based on the following contributing factors: songs I'm playing out that particular week (no matter when they were released - think overlooked songs, unreleased tracks and old favorites), songs various publicists are trying to get me to listen to that I did and dug a bunch, song posts and trends I've noticed on my friends' Facebook walls and, most importantly: what my toddler is currently enjoying thoroughly with an assist from my newborn.



About A-Sides with Jon Chattman:
Jon Chattman's music series features celebrities and artists (established or not) from all genres performing a track, and discussing what it means to them. This informal series focuses on the artist making art in a low-threatening, extremely informal (sometime humorous) way. No bells, no whistles -- just the music performed in a random, low-key setting followed by an unrehearsed chat. In an industry where everything often gets overblown and over manufactured, Jon strives for a refreshing change.

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Stay Connected:
http://www.thisisasidescom/
https://www.facebook.com/thisisasides
https://twitter.com/ThisIsAsides

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Everyone Needs an Entourage

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I am always amazed at the discrepancy of opinions between the critics who often screen movies for free and audiences who have to shell out hard earned money. Most critics prefer stories that depict real life dramas. Most audiences love stories that help them forget about their real life dramas. Most critics want deep meaning. Most audiences want lightheartedness. Most critics look for weaknesses in stories that they can exploit. Most audiences look for strengths in stories that they can cherish.

That discrepancy is quite evident in reactions to the movie Entourage. Critics gave it a Rotten Tomatoes score of 31 percent. Ouch! Yet audiences gave it an "A-" CinemaScore. Hooray!

My heart is with audiences that pay money.

One critic said that, "Entourage retains many elements of the HBO series, but feels less like a film than a particularly shallow, cameo-studded extended episode of the show." Another said that, "By the time it reached the end of its HBO run in 2011, Entourage had grown staler than last night's Axe body spray. The passing of a few more years has not improved the aroma."

These critics opinions reveal that they are out of touch with what audiences crave.

Audiences love insights into Hollywood and Entourage delivers. Many critics are so jaded by their exposure to Hollywood that they can no longer see the glitter, nor are they impressed by it if they can. Audiences love peeking behind the scenes. They love to see the inner workings of a business that is as mystifying as it is enticing. Movie stars. Writers. Producers. Agents. Studio heads. It's a thrill to see them living large, loving hard, fighting hard, and sometimes falling hard. It's an escape from our own more insular lives.

Audiences love celebrity and Entourage delivers more than any film, ever. Some 40 or so stars are not only sprayed throughout the film, but their cameos have significance related to their lives. Warren Buffett delivers a line about his investment in the studio. A frustrated Kelsey Grammer dashes out of his therapist's office and utters that he's fu&ked and Bob Saget is depicted in a way that reveals his more lewd self. Critics seemed to have missed this, being more concerned with celebrity count than their roles. This is the age of the Kardashian, where celebrity lives draw interest. It's the age of Caitlyn Jenner, where exhibitionist under the guise of living your true self will make you millions. Is this worthy? It is to millions of people who eat it up.

Audiences love to fantasize and Entourage delivers. Most people want celebrity. Bigger fame. Bigger paychecks. Bigger homes. Faster cars. Better looking girlfriends, boyfriends, and spouses. Is this shallow? Yes. Does that matter when it comes to paying for a movie? No. Importantly, audiences love rags to riches stories, and Entourage is about a group of regular underdogs who make it big in Hollywood. Audiences can identify with the fantasy.

Audiences love stories in which friendship, family and loyalty are central and Entourage delivers. At its roots, the film is about enduring affection. It's about love and loyalty that triumphs over the headaches and heartbreaks that is a part of the Hollywood grinder.

Just because audiences love Hollywood, celebrity and all their trappings does not mean they don't also appreciate stories with deeper meaning. They do. In this regard, moviegoers have a much broader range than do critics. They can love candy in one bite and then spinach in the next. Many critics only have an appetite for spinach.

I, too, have provided negative critics of films and television shows. Who can forget the dreadful ending to How I Met Your Mother. But my critiques are from the point of view of the audience that lives in the streets of the metropolis, not from the perch of the ivory tower far above.

I suspect that creators of art are more likely to appreciate Entourage than those who are critics of art. There's no better scenes in Entourage than those that depict how the talented artists must beg for money from untalented people with deep pockets. Many artists spend their lives trying to prove themselves to those without talent. God help them all. So congrats to writer/director/producer Doug Ellin, to producers Stephen Levinson and Mark Wahlberg, and to the original cast of Kevin Connolly, Adrian Grenier, Kevin Dillon, Jerry Ferrara and Jeremy Piven. You created a fun ride.

Most critics are wrong about Entourage. They have forgotten that, deep down, most of us want and deserve a caring, empathetic, supportive entourage of our own. I hope that this innate fantasy will help the film overcome the poor reviews from those who are clever with words but talentless otherwise.

Go see Entourage.

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Cutest Celebrity Couples That Never Were

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We know a thing or two about eternal love, after all, our business, Never Liked it Anyway, is all about breakups. Hollywood is home to some of the most gorgeous human beings on Earth (Chris Hemsworth, anyone?). That said, there is a lot of potential for great looking couples. Only, more often than not, Hollywood disappoints us with couples that seem doomed to breakup from the start. If only Hollywood had us as their matchmakers... we've listed some of the hottest celebrities that never really were a couple, but definitely should have been.

Jennifer Aniston & Bradley Cooper
Both celebs are in the 40's, but no way does either of them look it! They both have banging bodies and gorgeous eyes; imagine how beautiful their babies would be. Jen & Bradley were once rumored to be together back in '09, but we want it to be official, like yesterday.
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Scarlett Johansson & Channing Tatum
The bombshell, modern-day Marilyn Monroe and the super stud Hollywood hunk together would almost be too good of a couple. Match made in Hollywood heaven.
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Mila Kunis & Justin Timberlake
Anyone who saw Friends With Benefits knows what I'm talking about. Their on-screen chemistry is undeniable... too bad they both already have beaus.
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Kiera Knightley & Robert Pattinson
These movie stars are both smokin' hot Brits, and really, seem made for each other. Aside from both being extremely attractive and talented, they are both tall (Kierra is 5'7", Robert 6'1"), and both are from London. Can't you see them having afternoon tea together?
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Rachel McAdams & Ryan Reynolds
Yet another (could be) adorable couple with so much in common. Rachel and Ryan are only two years apart and are both from Canada. We say they should give it a try, eh?
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Lisa Simpson & Eric Cartman
Lisa and Eric sittin' in a tree... okay, but for real. Lisa is the sweetest and most responsible second grader ever, yet she needs to learn how to let loose and have fun. Enter Eric Cartman. Though he may seem like your typical troublesome third grader, Eric is actually very sensitive and ingenious at times. He just needs a positive and supportive influence.
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Amanda Seyfried & Ryan Gosling
Although Ryan is Canadian, him and Amanda could totally pass as the cutest little American couple. Both are stunner blondes, blue-eyed babes. Sparks would be flying like the 4th of July.
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Katy Perry & James Franco
Katy's last man didn't work out, so hey, why not James Franco? Both are from beach cities in California, and both have been majorly successful in the entertainment industry. Plus, both have a great sense of humor. C'mon Katy, don't let him be the one that got away.
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Canaan Smith: One of Country's Best New Sounds of Summer

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Country fans with tickets to Dierks Bentley's 40-city Sounds of Summer Tour, which kicks off June 5 in Raleigh, will be doing themselves a major disservice if they don't show up to venues early. The first artist hitting the stage each night, before tourmates Maddie and Tae, Kip Moore, and headliner Bentley perform, is one of the most exciting young artists in country music.

Williamsburg, Virginia-native Canaan Smith is no stranger to the road: he's played hundreds of shows in the past five years, joining acts like Florida Georgia Line and Darius Rucker on tour between his own headlining gigs. In 2015, he'll play at least 175 shows for more than 625,000 fans.

"When you're in front of people night after night, it's important that you make that time worth their while," Smith says. "You've got to make it impactful, to leave them with a message." He credits his status as a road-tested performer to helping build his quickly-accelerating career. "Getting in front of fans was the game-changer for me," he says. "There's no substitute for hearing the way a crowd reacts to a song."

Lately, one of the songs crowds have been reacting most strongly to is Smith's current single, "Love You Like That." The hit just broke into the Top 10 and is nearing Gold certification for 500,000 downloads. It's the lead track from his debut album, Bronco, which will be in stores June 23.



Smith's Sounds of Summer set will be shorter than the gigs he's used to - he'll only play for 20 minutes each night - but he's committed to making those 20 minutes memorable. In addition to "Love You Like That," fans will hear a handful of songs from Bronco and Smith's self-titled EP. "It's going to be tough only getting a little bit of time," Smith admits. "I feel like we'll just be getting started. But, it's a great opportunity and we're going to make sure those people have a great time."

I sat down with Smith following a packed, invitation-only show at Mercury Lounge in New York to discuss his opening slot on one of this summer's hottest tours.

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What are you most excited about for this tour?
Playing in front of the big crowds. And what great, reputable people to be out with. I'm such a big fan of Dierks and Kip. I feel a little sorry for Maddie and Tae that they're going to be rolling around with us all summer long, but they'll handle themselves fine. We'll probably all be like big brothers to them, watching out for them.

Let's talk about that "polar plunge" you all filmed to announce the tour. What's the background?
Oh geez. Dierks is such a punk. I've done a polar plunge with Dierks before, actually. We did it with my producer, Brett Beavers, who has also produced albums for Dierks. Brett and Dierks started the tradition in Nashville about 12 years ago with a small group, and they've done it every year on January 1 to wash off the old and bring in the new year. So, I'd done it two years prior, but we didn't drive a damn boat out into the middle of the lake like he did!

What was that experience like?
It was a nasty day. There was zero sunshine and it was freezing. The entire ride out there I kept thinking, "This is going to suck." So finally, we get in our suits and jump into the water, and we notice that there is an awful current pulling away from the boat. I mean, it was a fight-for-your-life current. I couldn't even pay attention to how cold it was in the moment because I just had to get back on the boat.



What's something else we didn't see in the video?
There was only one bathroom that you could kind of close yourself off in and not be exposed to the wind blowing in your face, and Kip was hogging it after we all went in the water. He was in there, taking his sweet time, and me and Maddie and Tae were freezing our asses off out on the boat, waiting to get back to shore. I remember my legs were shaking. It was as cold as it looked...as cold as you can imagine jumping into a freezing lake would be! But, it was a small price to pay to be part of such a kick-ass tour.

Do you think the experience helped you all bond?
Oh yeah. I mean, we have that story, so that's already a connection, already something we can talk about on tour.

Have you all stayed in touch since then?
Yes, and we all run into each other. I sent a text to Dierks not too long ago saying how pumped I am about the tour.

Awesome, because I have some questions designed to see how well you actually know your tour mates.
Okay, let's go!

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Smith (center) with tourmates Maddie Marlow, Kip Moore, Tae Dye, and Dierks Bentley.


What are Maddie and Tae's last names?
I don't have a clue. Not at all.

Haha, okay. We're not off to a great start. Way back in 2011, before "Something Bout a Truck" was on the charts, your buddy Kip had another single. Name it.
"Mary was the Marrying Kind." It's a good song.

Correct! You're one for two. In 2010, Dierks released a bluegrass album, Up on the Ridge. Name two songs that weren't released as singles.
I have no idea.

Well I'm glad you'll all be spending some time together so you can get to know each other! Speaking of tours, what's the first concert you ever attended?
It was in the parking lot of the Christian school I went to as a kid. It was a Christian band from Australia, called the Newsboys. I was probably six years old. And then in eighth grade, I saw Switchfoot. They've been musical heroes of mine for a long time.

Finish these sentences. (prompts to Smith in italics)
My dream duet partners are: George Strait, because he's always been a hero of mine. As far as females, Lee Ann Womack. She's kind of like the George Strait of women, in my opinion. Her delivery is just timeless and beautiful.

I can't wait for the Sounds of Summer Tour to start because: it's gonna rock. It's gonna be damn fun.

On June 23rd, I'll be: king of the world!

For more from Smith, pre-order his debut album, Bronco, or catch him live on the Sounds of Summer Tour.

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All images courtesy Canaan Smith.

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David Bowie Tribute Band Bowievision Rocks Two Sold Out Shows at Seattle's Triple Door

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David Bowie Tribute Band Bowievision filled Seattle's Triple Door for two sold out shows last Saturday. I attended the first show, which was filled with fans from young children to senior citizens. Under the exceptional guidance of lead singer Stefan Mitchell, the band performed all of Bowie's hits and some of his more obscure numbers with a fierce energy that kept the audience entertained and delighted.
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The crowd was clearly filled with serious fans of David Bowie, which I am not. Still, Mitchell and his band provided an entertaining evening as they sang and joked their way through the ninety-minute set in a venue that seems more attuned to Mitchell's other band The Dudley Manlove Quartet than the thunderous rock of Bowievision.

I've now seen both bands perform at the Triple Door with its great food from Wild Ginger (upstairs from the venue), and I much prefer Dudley Manlove in that setting. Although both bands rely highly on Mitchell's amazing singing voice and charismatic personality, I found that his work shines through much more fully with DMQ.

Still, Bowievision provided what the fans wanted, an opportunity to experience David Bowie's music live from a group that can deliver it with a fullness and passion that resulted in many people attending both the 7 and 10 pm shows. With lots of lighting effects and David Bowie images being projected behind the band, the overall experience of Bowievision was a David Bowie full meal deal well worth any fan's attention.

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Lili K Is Rising

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Photo Credit: Ester Son

If you go onto the homepage of Tidal right now you will see a mini documentary with Lili K, a Tidal Rising artist. She is a jazz artist from Chicago who has collaborated with Chance The Rapper and Vic Mensa. Her music is best described as having elements of jazz, blues, funk, soul, hip-hop, and R&B. She recently released her debut album Ruby, is setting up a tour schedule, and is taking in all the opportunities Tidal has offeredher. I sat down with her last week to see what the last few months have been like, and what we should expect from her moving forward.

Growing up she came up on a lot of Motown, soul, and classic rock playing around the house. Her mother was a big music enthusiast so that helped her explore music before she even was looking to do so. In middle school she was introduced to jazz music, and described it as eye opening because it finally showed her vocalists that resonated more with her sound. That is the time that things with music started to get a bit more serious for her.

Lili K had a variety of music inspirations. Some of her favorites were founders of the soul and Motown sound. Rachelle Ferrell, Dee Dee Bridgewater, Aretha Franklin, and Gladys Knight are some of her favorite artists. Above all though she looks up to Ella Fitzgerald, and even believes she is the greatest vocalist of all time. She described Ella Fitzgerald as someone who could use her voice as instruments, and someone who could convey a range of emotions using her voice as well.

On April 21st, 2015 Lili K released her debut album "Ruby". She said it only took about a week to actually record. They went in for a day in May of 2014, and then for an entire week in June. From there it was just about tweaking things, laying extra percussions, horns, and string parts. She said it has felt like the album been done forever before it actually ended up coming out.

Overall she was really happy with how the album turned out. She was going for a throwback soul experience. Because of that they left talking in the background, piano creeks, and things like hearing the tape reel switch over like in older recordings. The imperfections were something she felt were so beautiful. While the audio quality these days is amazing, there is something to be said for little things like that which got lost over the years.

Also, the reception to the album has been great so far. Most people have been used to hearing her music through hip hop collaborations, but she has found that many people took out the extra time and effort to listen to her solo work as well. Lili K also felt the exposure provided by Tidal definitely helped more people find her music, especially in terms of social media sharing.

When Lili K and her team were figuring out the best way to get "Ruby" to the greatest audience possible they had the idea reach out to Tidal; especially because she is an independent artist in a genre that is not heavily supported by blogs or Internet culture. So they figured it would be cool to see how reaching out would be. She had no idea if she actually would get a response, but she did get one. And it was so overwhelmingly positive that they told her they wanted to do an exclusive premier for her album. They gave her a bunch of interesting opportunities for exposure as well. Not only for subscribers, but even just on the home page for anyone to see.

Overall, Lili K has felt that Tidal has been extremely supportive. They keep finding more opportunities for her, and because of the social media blasts they are doing for her through their own pages she is seeing a lot of traction on her music. Specifically she said,


"Getting posted on big blogs is cool, but there's so much content that it's not really that permanent of a thing. But with Tidal each time I did something like an interview or pre-stream, it was heavily placed on the front page. And that's not normal for an up and coming artist. Especially when you're releasing at the same time as a mainstream artist so it feels more like an even playing field."


She said she has been getting actual fans from Tidal who have commented on the album and her music as a whole. Because she's had such a great experience with Tidal I asked her why she thought that Tidal is represented as a company who doesn't care about up and coming or indie artists, and she said;

"A huge part is how quick Internet culture is to jump on board to bash something. It's such a trend. Everyone just automatically loves or hates something depending on what information is out. Instead of doing research people just develop these harsh opinions. I think. Many of just misinformed. Also, if you want to launch a new service it's great to have people who are big influencers behind it, and if it's a platform supporting emerging artists then it makes even more sense to have people like Jay Z, Beyonce, or Kanye West. And that's something that's been way overlooked and judged way too quickly."


Artists like Lili K are the beginning of what Tidal has had planned all along. Taking artists who have amazing music, and helping bring them to the masses. The ideal vision seems to be creating something akin to a full-fledged artist factory. They are looking to the future by engaging with artists from the entering stage of their careers until they are established artists. If the talent of Lili K is any indication of the types of artists we'll be hearing more about then every music fan should be excited. As fans, all we can and should do is sit back and enjoy!

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One on One With Rising Popstar, Monique

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Monique was raised in a Cuban household in Miami where music was infectious, singing and dancing was a daily ritual, and her creativity was never stifled. While most little girls were playing with their dolls, an unwavering, nine-year-old Monique made a decision that would seal her fate: She signed herself up for vocal lessons.

Fast forward to present day and you quickly acknowledge this rising star is a triple threat. In addition to producing smooth, crisp vocals, Monique is a dancer and actress. Her sound is a unique blend of popular genres, catchy melodies, and bass lines that will make you dance until you sweat. More importantly, each song tells a story; one that plants thoughts of strength and fearlessness in the minds of young women.

We were introduced to Monique in her role as the energetic female lead in Austin Mahone's video, "MMM Yeah," featuring Pitbull last year. This year, her buzz is ever-growing with the release of her remix for, "El Perdon (How Can I)" featuring Pitbull. Taking advantage of her newfound fame, Monique dishes on upcoming projects, the stories behind her music, and how she keeps herself grounded in the following interview.

At nine years old, you made the decision to begin training with a vocal coach. How were you sure at such a young age that you wanted to sing?

Ever since a young age, I was drawn to and infatuated by anything to do with the arts. I'll never forget the day I was in the car with my family and I started singing over a song that was playing. My grandmother, in shock, stopped the music and in the most sincere voice said, "You have a gift". She felt and recognized it. At that moment, I knew I would share this "gift" with the world.


Growing up, what kind of music did you listen to? How did it affect the kind of music you create today?

Growing up in a Cuban household, music is a religion. There was never a day music wasn't playing and we weren't dancing and singing. The playlist was extensive; we would listen to everything from salsa, boleros, bachata, merengue, flamenco to Selena, Whitney Houston, Celine Dion, Beyoncé, Backstreet Boys. The way Latin music made me dance, the goosebumps I felt when Whitney sang, and how I felt invincible after a Beyoncé performance influenced not only my music, but my artistry. The unique blend of Latin sounds and pop culture embody the essence of my music.


The remix you released with Pitbull, "El Perdon (How Can I)" is based on a situation that most women have been in; I was able to relate to your message. What kinds of responses have you gotten from your female fans regarding that track?

I am receiving an abundance of supportive, uplifting responses from my female fans, especially the younger ones! They not only relate to the storyline, but embrace the message of being a strong woman. As a female, I want to make sure my music inspires women to be all we can be.


How much of your personal life do you put into your music?

I'm influenced by moments in life. Therefore, I put pieces of my personal life into my music and leave out the names.


As a songwriter, how does it feel to know the words you're writing are helping people get through hard times?

As a songwriter, your main objective is to tell a story and relay a message. I feel so humbled and inspired when I receive messages from fans telling me how I make them believe in themselves or how my song switched their entire mood. When I can spread light through a speaker, it assures me I'm on the right path.


How do you feel when you hear your own music? Does it make you replay the experiences you had that inspired the lyrics?

When I hear my own music, l feel a sense of accomplishment followed by butterflies inside. Music is timeless; it can take me right back to the experience, which inspired the lyrics. Sometimes, I close my eyes and it takes me to center stage, sold out arena, with a sea of screaming fans. I have to say, that's the best feeling in the world.


You have a bold, distinctive sound that spills into multiple genres. What is the motivator behind that energy?

Purpose and culture are the motivating factors behind the energy of my sound.


I understand that finding a good support system had been a struggle earlier in your career. What kept you from giving in?

Yes, it was quite a journey to find a home base. Building a team is necessary, but finding the perfect candidates is crucial. Believing in myself and knowing my worth kept me from settling and giving in.


What lessons has the struggle taught you?

This journey has taught me that no one in this world will want your dream as bad as you do. You must trust yourself and act accordingly. When you look in the mirror, you have to believe what you see. At the end of the day, this gift was given to you. You hold the key, when you turn it on, the world will follow.


How does it feel to go from being virtually unknown to having this growing popularity?

Honestly, watching my numbers grow fuels me to work even harder. I feel extremely blessed to have people believe and join the movement. It makes me only want to give the best of me!


What keeps you grounded between having a personal life and your work life?

God and my family is what keep me grounded.


Do you worry about losing privacy as a new star?

I feel like losing privacy is something that comes with the territory. I'm open with my fans and I like for them to get to know me. However, it's all a matter of creating a balance with what you share.


You've collaborated with hit-makers, Pitbull and DJ Blackout. Who are other artists you'd like to work with?

It feels surreal to be on a song with such influential names like Pitbull and DJ Blackout. In the near future, I would love to work with Drake! His melodies are infectious and I think our tones would compliment each other on a song.


What can fans expect to hear/see from you in the near future?

My single drops this year along with some secrets I have up my sleeve. To all my Moniquesters, this is the beginning of the MoMo Takeover!


"El Perdon (How Can I)" featuring Pitbull Lyric Video

https://www.youtube.com/watch?v=AQ4CXW07e_U

For more Monique updates on Monique, follow her at https://instagram.com/heresmonique and
https://twitter.com/heresmonique.

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Attack of the Summer Movies: Take Steps to Avert Tragedy!

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The onslaught has begun! Already they are massing their mediocrity at the multiplex. Insulting your intelligence. Crushing your creativity. Boring your behind.

The queue is daunting. Each one louder than the one before. Always the fate of the world is at stake. The Fast and the Spurious. Avengers: Age of Excess. Mad Maximization. Terminator Failed Governor. San Androstenedione. Poltergeist Pollution. The line up stretches back into prehistory and forward into the future, across the globe and out into space.

CGI has superseded mis-en-scene just as screaming has superseded dialogue. Cars falling from the sky or being driven maniacally across the desert in search of fuel, food and fornication. Superheroes looking and acting more frightening than villains. Everywhere you look, there are dinosaurs and robots, ghosts and talking animals clamoring for our attention and hard earned shrinking discretionary income.

Hollywood has given up any pretense of art imitating life. We need a superhero to save us from the superheroes. Movie Man... Where are you?

But just when all seems lost, let me offer a faint glimmer of hope -- yet another saving Deus ex Machina -- a little list, none of which should be missed. Some are currently in theaters, obscured by the shadows of the blockbusters. Some are of recent vintage victimized by too short runs or our failed distribution system.

So by all means, wherever they may be, search them out in theaters, Netflix, On Demand, Roku, or cable. Beg, borrow or steal. Just take one of these at least weekly, before bed with some fresh popcorn. It will do your mind and spirit good.

I'll See You in My Dreams - Centered around Blythe Danner's sparkling performance, this is a heartfelt examination of friendship, family and romance later in life.

Ex Machina - Sleek. Sinister. Suspenseful. Asks the questions what is human intelligence and where does it lead. It has the look of the future dealing with the trappings of the past.

Tomorrowland - More heart and less cynicism than any current blockbuster. A bit convoluted of plot, but after bouncing back and forth between past and present, frames the issues of the future with a keen eye and winning optimism.

Wild Tales - Six vignettes to die for. Fast paced, smart, action driven sketches dealing with hurt, injustice and revenge that lead to a satisfying moral lesson and cinematic conclusion.

She's Beautiful When She's Angry - A comprehensive, stirring history of the Women's Movement which provides us with a primer on what still needs to be done and suggests how to go about it.

OSS 117: Lost in Rio and OSS 117: Cairo, Nest of Spies - Jean Dujardin (The Artist) is uproarious as he sends up the spy genre, French culture and gender stereotypes. You will never think of James Bond again without smiling, and seeing Dujardin!

Lucky Number Slevin - Perhaps the best neo-noir since Kubrick's The Killing from which it is staged. Smartly plotted, smoothly paced, luxuriously casted with Bruce Willis, Josh Harnett, Morgan Freeman, Ben Kingsley, Lucy Liu, Stanley Tucci, Mykelti Williamson, Danny Aiello and Corey Stoll. It's twists and turns reward the viewer and punish the villains.

The East - The dark, probing piece on eco-activism which explores the conflicts between passivity, self-righteousness and effective intervention against despoilers of our environment. Brit Marling, Alexander Skarsgard and Ellen Page raise issues which we do not seem to be able to answer.

The Place Beyond the Pines - A moody look at the effects of class on fathers and sons and how economics effects all social relationships. Just when it seemed that Edward Norton was James Dean, he turns out to be Ryan Gosling!

Happy movie going!

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Snoop Dogg, Mike Huckabee and Timbaland -- Stop Hating on Caitlyn Jenner, Now!

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Snoop, Timbaland and Drake Bell, I'm surprised by your insensitivity to Caitlyn Jenner. But Connor Cruise and Mike Huckabee, your ignorance about transgender people is majorly dismaying. Get educated before you say another cruel word.

Caitlyn Jenner's Haters -- Snoop Dogg, Mike Huckabee and Others... Stop!

Caitlyn Jenner is on a mission to help other transgender people by revealing her life-long struggle -- and she's no doubt not surprised by haters like presidential candidate Mike Huckabee, Tom Cruise's son, Connor Cruise, Drake Bell, Snoop Dogg and Timabaland. Caitlyn had to realistically know that not everyone would be thrilled by the revelation that her true female self had been hidden inside the body of a man -- an Olympic hero, no less -- for 65 years.

That's largely why she waited so long living a lie, and feeling lonely and alone with her secret. But now, it's time for her dis-ers to get with Caitlyn's program, and to no longer live in ignorance about what it is to be a transgender person, like 700,000 people in the United States. None of them, like Caitlyn Jenner, asked to be born as a transgender person.

As Jenner explained in an ABC interview with Diane Sawyer, she always had "the soul of a female." Transgender people don't choose or want to have the soul of one sex and the body of another -- it makes for an extremely difficult life. And this has nothing to do with sex drive. "It's apples and oranges," Jenner explained to Diane Sawyer. "There's two different things here. Sexuality is who you personally are attracted to -- who turns you on. But gender identity has to do with who you are as a person and your soul and who you identify with inside."

Transgender Hatred Needs To Cease -- Now!

Now let's be clear here -- it's just rude to call Caitlyn a "science project" like Snoop Dogg did on Instagram on June 3. And it's extremely insensitive to tell Caitlyn and the other hundreds of thousands of transgender people that "there are so many more important things that should be talked about...and SO MANY MORE IMPORTANT PEOPLE that actually deserve an award," like Connor Cruise did in a cruel Twitter rant. Connor was referring to the ESPY Arthur Ashe Courage Award, which Caitlyn will receive on July 15. Connor has no idea of what it's like to be born into such a difficult life -- having the soul of one gender and body of another.

As we see with both Connor and Mike Huckabee, there are huge prejudices against transgender people and that's why it is so courageous to very publicly acknowledge being transgender, as Caitlyn has done. Sadly, 41 percent of transgender people have attempted suicide. Isn't that a clear indication of how tough their lives are? Just last January, 17-year-old transgender girl Leelah Alcorn killed herself after her conservatively religious parents refused to accept that she wanted to transition.

Leelah left a suicide note on her Tumblr saying:

"Please don't be sad, it's for the better. The life I would've lived isn't worth living in... because I'm transgender... I feel like a girl trapped in a boy's body".

Meanwhile, presidential candidate Mike Huckabee mocked transgender people in a speech last February, in which he laughingly said, "I wish that someone told me that when I was in high school that I could take showers in P.E. I'm pretty sure that I would have found my feminine side and said, 'Coach, I think I'd rather shower with the girls today!'"

He also slammed cities for allowing transgender people to use public bathrooms. "Your 7-year-old daughter, if she goes into the restroom...can't be offended if she's greeted by a 42-year-old man who feels more like a woman than he does a man." Huckabee clearly refuses to educate himself so that he understands that transgender people are not motivated by wanting to snoop on the other sex. That's ridiculous!

Caitlyn Jenner's Dissers Need To Educate Themselves

Huckabee should take a moment and read the words penned by Leelah in her suicide note:

My mom reacted extremely negatively telling me that it would be a phase, that I would never truly be a girl, that God doesn't make mistakes... if you are reading this parents, please don't tell this to your kids even if you are Christian or against transgender people...that won't do anything but make them hate themself.

Mike Huckabee, it's time to get off your pedestal and stop insulting transgender people. Drake Bell, Timbaland and Snoop: Stop making mean jokes, and Connor, get informed. Caitlyn is highly motivated to help improve the tortured lives and prevent the needless deaths of transgender people like Leelah. Misunderstanding transgender people and discrimination are real issuse, huge issues. It's time to offer love, not hate.

-- Bonnie Fuller

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Caitlyn Jenner Ends Kardashian Tabloid Tyranny

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Congratulations to Caitlyn Jenner on coming out as a transgender woman. Who wouldn't applaud such bravery in the public eye? But I am applauding for a different reason.

When Jenner announced to Diane Sawyer that he was in the process of transforming into a woman, he single-handedly threw the Kardashians off the covers of the tabloids. As someone who spends a considerable amount of time waiting in line to pay for groceries, I wouldn't mind seeing some new faces on the tabloid covers, but at the very least, I'd like to see anyone other than a Kardashian. So, God bless you, Caitlyn. You are such a breath of fresh air. And you are very brave. You are not only brave for making your transition in a very public way, but you are most brave for one-upping the Kardashian media machine.

You are the big story now. The big kahuna. And there isn't a real or fabricated story the Kardashians can come up with to knock you off the pedestal. That must be difficult for them in these trying times. Of course they will need counseling to help them cope with the loss of attention. They will need to share their feelings of loss and inadequacy with each other. They will also need to cry and whine and fight with each other, because your story has impacted their lives in so many ways, including but not limited to fewer tabloid covers for them.

Few of us probably realize how difficult it is to wake up one day and find that people are no longer pondering whether your butt is real or fake. Or whether you will ever get pregnant again. Or what compass direction you will name your next child after. It must be upsetting to walk past a newsstand and not see your picture looking out at the passersby. You must be sad when all of a sudden the paparazzi don't show up at the restaurant even after you've called them to inform them of your whereabouts.

But now that Caitlyn has graced the cover of Vanity Fair, the complete takeover of the checkout aisle is almost complete. It'll be a Kardashian-free zone for a few weeks. Fists in the air! Viva La Revolucion! Who's with me?



photo credit: magazines via photopin (license)

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Glastonbury Festival: The Meeting of the Tribes

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"I almost didn't make it this year", the younger sister of a friend told me at Glastonbury a few years ago. "It's so expensive and I'm saving to get my buccal pads removed." Buccal pads? "They are the bits of fat on top of your cheek bones", she explains, pinching her attractive rosy cheeks. The time was when you would have been hard pressed to find anyone at the Glastonbury Festival planning cosmetic surgery, let alone being brave enough to admit to it. But Britain has changed and so has Glastonbury.

When I skipped school to come to Glastonbury for the first time a couple of decades back, the festival was a radical, counter-cultural event. Tickets, for those who decided not to step through the flimsy barbed wire fence, cost £17 - compared to £220 this year - and money raised went to CND. There were no Winnebagos filled with millionaire footballers, WAGs, supermodels and Conservative Party constituency chairmen dying in portaloos.

Headliners were edgy, musical outsiders rather than the likes of stadium rockers like the Rolling Stones and U2 or chart-toppers such as Beyoncé or Kanye West who will headline on the Pyramid Stage this year. Attending Glastonbury back then felt like a political statement and the only mainstream media coverage of the festival would centre on sporadic clashes between the police and traveller community. But even '86 involved sitting around bonfires with veteran festival-goers who would bemoan the fact that Glastonbury was "not like it used to be".

While Glastonbury has undoubtedly become more mainstream, however, it has not lost sight of its origins. Beneath the commercialisation and the hype, its political heart still beats strong.

The Glastonbury festival emerged more than four decades ago from the wider free festival movement whose philosophical roots can be traced back to a long tradition of British utopianism integrally connected to the land. Land rights and access to the land have always been an intensely political issue in Britain, reaching a climax in 18th century with the enclosure of common land under the Enclosures Act of 1761. The free festival movement of the 1970s and '80s was founded on the principle of temporarily reclaiming patches of the countryside to create mini-collectives where normal rules and expectations would not apply.

The entry charge for the first Glastonbury Festival in 1970, headlined by Marc Bolan and Mickey Finn in Tyrannosaurus Rex, was £1. The following year, it was free. The early festivals had a loose manifesto of environmentalism and spiritual awareness-raising - the 1981 festival collecting an unprecedented £1 million for the anti-nuclear movement.

While the modern Glastonbury Festival may be surrounded by a virtually impenetrable fence and overseen by battalions of high-visibility security guards and police, it still feels remarkably free. It has retained strong links with the peace, environmental movements and campaigning organisations, eschewing virtually all corporate sponsorship.

According Rhian Lewis, WaterAid's UK campaigns manager, the festival "provides us with a unique opportunity to publicise our work and reach out to new supporters" as evidenced by almost 18,000 signatories to a petition calling on the British Government to commit to lifting 100 million people out of water and sanitation poverty by 2015.

Graham Petersen, environmental co-ordinator of the University and College Union, has been coming to the Leftfield - an area where radical politics and music mix - since its inception in 1992. He believes that people are more receptive to new ideas at Glastonbury. "When you take people away from their hum-drum activities and put them in at festival in the middle of the countryside, their minds become more open".

Yasmin Khan, former senior campaign co-ordinator at War on Want and regular speaker in the legendary Leftfield tent, was inspired to join War on Want when she heard one of the organisation's speakers at Glastonbury a decade ago. "Most charities are not political. Rather than campaign for justice for the world's poor, they focus on Band Aid solutions, like Bob Geldof and Bono before them. That is why Leftfield is so important - it's about looking at the structural causes of poverty and inspiring people to get involved in the movement, be that by taking action against the cuts or in standing in solidarity with sweatshop workers in Bangladesh."

Billy Bragg, who first came to Glastonbury in 1984 and now curates Leftfield, believes that in the face of the coalition Government's unprecedented attack on public services the political side of Glastonbury is as important as it ever has been. I told him about the girl with the buccal pads and asked whether he ever despairs at how unpoliticised so many young people. "Not at all. Look at me. I wasn't really that political until Margret Thatcher came along."

In 2013 Michael Eavis, Glastonbury's founder, stated that he wanted the festival to return to its political roots. He pointed out that the festival has "always been a sounding board for lots of unrest." But while there may have been a record number of activists at that year's festival, the most high-profile piece of political activism - an attempt by UK Uncut to stage a protest against Bono's tax avoidance during U2's set - was brought to an abrupt end by stewards.

Ed Gillespie, who spends much of the festival in the Green Field absolving people in the Earthly Sins Confessional Booth, believes: "Glastonbury may not be as vigorously, overtly political now as it has been in the past, but the systematic subversion that the festival subliminally disseminates is still a powerful force which is perhaps why the mainstream has worked so hard to co-opt and coerce it." According to Gillespie, Glastonbury offers people an opportunity to express themselves freely and creatively without the constraints of societal norms. "More importantly, people are doing this together. They establish a sizeable and functioning city in a Somerset field that experiments with possibilities and asks many questions about how we really want to live."

Throughout history, festivals have provided imaginative communal spaces for people to step outside their normal lives and their normal selves. While most festivals might not be overtly political, the process of coming together to create to a temporary society where people live and dance side-by-side is in itself both a political and politicising thing.

Glastonbury, like all festivals throughout all ages and cultures, is still about the gathering of the tribes. But the tribes of Britain are no longer Celts, druids and pagans.

Some echoes of ancient British lore may linger, but the "tribes" of modern Britain are complex, fluid and constantly shifting. Today's Glastonbury is not the same as it used to be. But somehow the "Glastonbury spirit" endures. People of all ages and all classes from all regions of the nation gather in the lush English countryside. They live beside each other. They talk and laugh and dance together. And when they arrive home and step back into their everyday lives, they find that something within them has changed. It may be a subtle shift. It may not last forever. But whatever it is, it is something intrinsically political.

Stefan Simanowitz is a journalist. He has written on music for the Independent, the Guardian, Dazed & Confused, AnOther Magazine, Prospect etc. He runs the New Bands In Town website.

This article was first published in Tribune.

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Anticipating the Tony Awards, With Alan Cumming at the Café Carlyle, the Astaire Awards, and Stars in the Alley

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Facing a crowd that included his mother and brother as well as Tony Danza, next up for a run at the Café Carlyle, Alan Cumming reminded everyone that he would be hosting the Tony Awards with Kristen Chenoweth on Sunday night, admitting that he was "freaking out." That was hard to believe from the poised actor, prepared by years of M.C. workout in Cabaret. But as he deftly sang his "sloppy" mash-ups including one channeling Adele, Lady Gaga, and Katy Perry, he paused to sing from the Kander & Ebb musical, The Visit, a contender for Best Musical: "You, You, You," a number sung memorably by Chita Rivera, herself nominated for Best Actress in a Musical.

This was just one of the many run-ups to the Tony Awards, Broadway's big night this Sunday. A steady stream of awards showcase exceptional work: this week, for example, at the 33rd annual Fred & Adele Astaire Awards, Leanne Cope and Robert Fairchild from An American in Paris, and On the Town's Tony Yazbeck were chosen best dancers. The award for Outstanding Choreography on Broadway went jointly to Joshua Bergasse (On the Town) and Christopher Wheeldon (An American in Paris). Is it just something for everyone, or an indication of the plays that have the winning buzz?

A taste was offered at the annual Stars in the Alley event last week, a free smorgasbord of performances from many shows, staged in Shubert Alley, between Junior's and the Booth Theater, home to Hand to God. Some highlights from Tony nominated plays included the Fun Home children, Sydney Lucas, Zell Steele Morrow, and Oscar Williams dancing and singing, "Come to the Fun Home," special appearances by Alex Sharp of The Curious Incident of the Dog in the Night-Time, and Steven Boyer, Geneva Carr, and Sarah Stiles from Hand to God (and yes, Tyrone too), Ben Miles, Lydia Leonard, and Nathaniel Parker from Wolf Hall 1 and 2 (heads intact). Christian Borle sang "It's Hard to be the Bard" from Something Rotten!, and could not stop moving, gyrating to the event's finale, "Dancing Queen" from Broadway's long running Mamma Mia!

A version of this post also appears on Gossip Central.

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Podcast Reviews: The Late Show Podcast and Mike and Tom Eat Snacks

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2015-06-05-1433543507-5526733-late_show.jpegDavid Letterman has said his last goodbyes and his show's set in the Ed Sullivan Theatre has been carted off, consigned to the showbiz Dumpster. Next up is Stephen Colbert, who is busy running test shows, whipping his writers into a frenzy to generate material, and trying to nail down the new character that he'll become to replace the OLD Stephen Colbert of Comedy Central's The Colbert Report.

Fortunately for his fans that have been jonesing for his return, Colbert has turned to podcasting to fill the spare moments in his busy days getting ready for the September 8th launch of the new version of The Late Show. And the debut episode of The Late Show Podcast, entitled "In The Bad Room with Stephen" is a yack-packed 20 minutes that doesn't disappoint.

Recorded in "the bad room" -- a square, windowless chamber in the bowels of the show's production office, Colbert is joined by Tom Purcell, his executive producer, and Opus Moreschi, the head writer and supervising producer for the new show. Their conversation rambles around a lot of subjects having to do with the process of gearing up for the show.

Colbert's improv chops are in full view, as he throws off great, bone-dry lines and quasi-jokes as this initial show unwinds. One topic checked off is the width of the new audience seats in the studio -- will they be 21 inches or 24 inches wide? Equated by Colbert as being for "the European ass or the American ass" and, as one might expect, his studio's seats are going to be spec'd for the American ass.

The Late Show Podcast may well be become a viral phenomenon of its own before the three months runs out and CBS takes the warps off of the new The Late Show Starring with Stephen Colbert television show.

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2015-06-05-1433543552-7606083-MATES.jpegThe popular (and only) snack-rating show, Mike and Tom Eat Snacks, may also be the most sporadically appearing podcast (besides my own) on the web. But hosts Michael Ian Black and Tom Cavanagh are back for two consecutive weeks now, so maybe there's a trend emerging.

Or maybe it's just because Cavanagh's character, the Reverse Flash, was killed off at the end of the first season of the CW's The Flash series and neither of the gentlemen are overly busy at the moment.

In any case, fans of the show (or "maties", as they're referred to by the hosts) get at least a couple of nice hits in a row. This week -- spoiler alert -- the boys' snack pick is Quaker Oats White Cheddar Rice Cakes.

As always, the snack is the least important element of this show. It's the banter between Black and Cavanagh that so much listening fun. This episode offers up what can best be termed an angry history lesson about the Greeks by Cavanagh, who seems ill equipped to actually enlighten us about the topic.

This follows a rant about "unnecessary Smart cars" and wristwatches, both of which are contributing to the downfall of mankind. There's also a cool song provided during the break, ostensibly from a fan, about the show itself.

I don't want to give away much more but suffice it to say that if you think they're going to laud the humble rice cake (complete with white cheddar flavoring), it doesn't end up faring so well.

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Podcasts I'm also listening to this week: Drive-Time Podcast: If The Brandy Bunch Kids Found A Porno Tape and Chillpak Hollywood Hour #420: Favorite Funny Ladies of Stage and Screen

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The The Late Show Podcast AND Mike and Tom Eat Snacks reviews originally posted as part of This Week In Comedy Podcasts on Splitsider.com.

Marc Hershon is the host and executive producer of Succotash, The Comedy Podcast Podcast, featuring clips from comedy podcasts from across the Internet as well as interviews with podcasters, comedians, and assorted show biz folk.

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An Exclusive Peek Inside This Year's Tony Awards Gala

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Answer: Party at the Plaza Hotel into the wee hours!

Question: This Sunday at the American Theatre Wing's Tony Awards, after the last circular medallion is handed out at New York's Radio City Music Hall, what happens next?

For the fifth year, the nominees, presenters and other VIPs hightail it to the famous and historic Plaza Hotel for a Tony gala for the ages. "We're the only event that takes over the entirety of the Plaza Hotel including the Todd English Food Court, the Palm Court and the Terrace Room. That makes it very special," says Charlotte St. Martin, president of The Broadway League, which presents the Tony Awards along with the American Theatre Wing.

This year's theme is Marie Antoinette with shades of pink, flowers and crystal galore. "It's very Versailles-looking, which certainly matches the decor of the Plaza," says St. Martin. In fact, the shindig has been in the works for an entire year. As Heather Hitchens, president of the American Theatre Wing explains, "The Tonys is June 7. On June 8, we begin planning next year's Tonys."

The glam Tony gala is a collaboration of 24 different businesses. So what can the partygoers expect at this year's gala? For a preview of the big night (from 1,800 glasses of champagne to 1,500 pieces of shrimp), click on this story at Parade.com

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The Tony Award Gala at the Plaza Hotel, 2014

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Getty Images/Photos Used with Permission

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Wilbur and Orville Wright Meet Tom Hanks: NatGeo, Pay Attention -- This Is How It's Done

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When the National Geographic Society channel, NatGeo, announced that the American Genius series would include Wright vs. Curtiss (the original title), it created a buzz amongst the aeronautically-minded.

With NatGeo's credibility and reputation for high-quality programming, it seemed a near-certainty that Wright vs. Curtiss would be a sensational program.

When the trailer and episode clips became available, that initial enthusiasm became dismay and concern. There were so many obvious glaring errors, untruths and exaggerations it seemed the program might be a total disaster... it was apparent that drama was what this production was after, and to hell with truth and history.

Then, on June 1, Wright vs Curtiss aired and the worst of the concerns held by people who value truth and history above drama were confirmed... the storyline was exploitative, false in several central and critical areas and as one aviation historian said, "The level of historical filth it presented was enough to make me want to clean my TV afterward."

A two-part review was posted here and here on the Huffington Post soon after the program aired, detailing the distortions and false narratives the NatGeo production pushed in its "docudrama."

2015-06-06-1433567650-9408911-TomHanks2.jpgIn the aftermath gloom of Wright vs. Curtiss it was remembered that Playtone Entertainment (Tom Hanks and Gary Goetzman) had optioned author and historian David McCullough's book "The Wright Brothers" and had signed a deal with HBO to produce a mini-series based on that book (first reported on deadline.com).

Given the superb quality of other Hanks and Goetzman collaborations with McCullough productions (Truman and John Adams), there is every reason to believe this production will capture and portray all the true and factual drama of the story of Wilbur and Orville's invention of the aeroplane, in a manner in which NatGeo's attempt failed so terribly.

Tom Hanks has a unique place in this project, he currently serves as co-chair, with Wilbur and Orville Wright's Grandniece Amanda Wright Lane, of an ambitious $150 million dollar fundraising campaign at Wright State University (to date over $110 million has been raised), to increase student scholarships and student services, and to enhance faculty recruitment.

So, NatGeo, watch as the Playtone Entertainment production team puts together a superb presentation of the true story of how Wilbur and Orville Wright gave birth to human flight. NatGeo has a thing or two to learn about how to present historical material, and who better to teach them than Tom Hanks, Gary Goetzman and David McCullough ?

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Amanda Seyfried's Theater Debut in Neil LaBute's 'The Way We Get By'

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Among the many reasons to see Neil LaBute's latest exploration of sexual relations, The Way We Get By, in its Second Stage Theatre production, is to see the actor Thomas Sadoski fussing, and to glimpse Amanda Seyfried's bare breast as she changes her t-shirt. The two-hander involves a couple after a night in bed. Is it a one-night stand? Or will they fall back into one another's arms?

As he wanders about a strange white living room with a prominent television monitor (Neil Patel's set), Doug looks lost, unsure what to do. Then Beth joins him from the other room, wearing his vintage Star Wars t-shirt. She has violated some private taboo, but the shirt, grazing her groin, gives the audience a clue about the vulnerability of pretty women, a classic LaBute theme. The ensuing dialogue is like intellectual groping, quintessential LaBute, as the characters Doug and Beth go from philosophizing about their night together to deciding what to do about it in a mere 70 minutes. They seem not to know each other too well, but then again, there's a twist. Not enough to make their relationship icky, but provocative.

Though slight, as compared, say to LaBute's recent The Money Shot, the play is a must -- for his signature dialogue, clever, rhythmic, conveying his wildly idiosyncratic ideas. LaBute's couples are unique, each in their own way. The casting here is perfect: Under Leigh Silverman's direction, Sadoski is once again the perfect LaBute male, and Seyfriend in her theater debut gives a charming effective performance. She may be a movie star, but here, onstage in the romantic genre for which she is best known, she holds her own.

A version of this post also appears on Gossip Central.

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'Every Last Child,' or Ways to Mistrust America

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Thankfully, we have documentaries, such as Every Last Child, to open a window on what's going on in the world, beyond Kardashians and Cait Jenner. Just when you thought it couldn't get any nastier out there, here's a movie about the drive to eradicate polio in Pakistan, home to the planet's most cases -- and lo, the Taliban issues a ban against the vaccination program, gunning down health workers.

Admittedly grim, the film is compelling because documentarian Tom Roberts, a sophisticated craftsman, plays the story for suspense: Will the medical personnel striving to stamp out polio succeed in the face of the Taliban's murderous opposition? Roberts infuses his account with human interest by focusing on the dramas of several individuals affected by Pakistan's current polio crisis. And, in infiltrating Karachi's gathering places -- at what feels like considerable risk -- Roberts really gets the story's full dimensions by presenting the side of the anti-vaccinators.

Everyone has their reasons, as Renoir has famously remarked. And though the Taliban's actions are beyond despicable, in this film, their muddled reasons become somewhat understandable. Not only do they implicate America in this health crisis -- they bring into sharp focus the double-edged role and image of this country across the world.

The human interest stories Roberts teases out spotlight the daily travails of a badly crippled beggar, struck by polio in childhood and painfully navigating the streets on a hand-wheeled bike (by film's end, mercifully, he receives a new motorized one), a devastated father whose toddler gets fitted for leg braces, and a family struggling to come to terms with two women relatives who were shot by the Taliban for distributing drops to immunize the country's children.

At the center of the crisis is a medical specialist from the World Health Organization, confounded at finding himself in the crosshairs of politics, bloodshed and misinformation designed to frighten the masses (such as Taliban propaganda labeling the vaccine a sinister conspiracy by the West that could cause, among other afflictions, impotence).

Child gives human contours to a country little understood in the West. The words of Habib Mehsud, the crippled beggar reflecting on his fate could be something out of Tolstoy in his Christian phase.

And lenser Ali Faisal Zaidi hauntingly captures dusty playing fields, colorful fabrics, watery byways and the beautiful faces of the country's at-risk children. In its portrait of human forbearance Child resembles The Salt of the Earth, a must-see doc, currently in theaters, about the great humanist photographer Sebastaio Salgado.

The most illuminating takeaway from Child, however, might be the suspicion in many quarters of anything with an American or a Western imprimatur, even a vaccine to prevent polio. As one Pakistani remarks in a café: How can you trust a country that one moment dispenses medicine, and the next kills our people with drones?

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Would You Go on 'The Briefcase'?

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The Hunger Games was supposed to be fiction, but maybe it was prophetic. Now comes The Briefcase, CBS's new reality show that pits desperate middle-class families against each other for financial survival. This seems more appropriate for dystopian science fiction than contemporary prime time, and the instinct is to kill the messenger: How dare CBS air this garbage?!

My problem with this and other so-called "poverty porn" shows isn't that television networks are exploiting economic desperation for entertainment. My problem is that it no longer seems strange that middle-class families are a couple of bad breaks from poverty. Being broke is no longer just for the poor. Unless you're one of the lucky few on the good side of the wealth divide, you could be in the middle class and just barely getting by, hoping to make it month to month.

The Briefcase is like Sophie's Choice for the financially strapped. Every week, two families experiencing tough times are each handed a briefcase full of $101,000 -- with one horrible condition. They have to decide how much to keep and how much to share with the other family.

Each family learns about the other's hardships, so we witness a wrenching decision: However much each family keeps for its own survival is therefore denied to a family all-too-similar to theirs. All the while, the audience -- Americans just like them -- sits in voyeuristic judgment.

Poverty porn is not limited to our country or our age. Over in Great Britain, where the accents can fool you into thinking that they are made of better stuff, the BBC has a new reality show called Britain's Hardest Grifter. Over five weeks, 25 unemployed and low-wage workers will compete by doing various jobs. The "least effective workers" will be eliminated after each episode, and the winners get £15,000, which is around $23,000.

The drama of watching poor people slug it out for cash prizes might be new to television but it's been around for years. During the Great Depression, people also enjoyed watching their fellow struggling citizens entertain them by competing in dance marathons, six-day bicycle races, and flagpole sitting contests. The contestants won by enduring misery, but then didn't everyone back then?

This was also about the time that escapist stories enjoyed a heyday, notably "Little Orphan Annie," a comic strip that spawned a radio show and two film adaptations during the 1930s. And really, what is The Briefcase but a combination of the humiliation of publicly enduring pain for the promise of being rescued from financial ruin?

If modern-day poverty porn is just the reinvention of a dark period in American history, what's different here is that the middle-class no longer represents safe harbor from the storm. It used to be that the American Dream was to buy a home, put your kids through college, and retire comfortably. Nowadays, good luck with that.

It's more than a feeling of insecurity. The American middle class has not gotten a raise since the late 1990s, and the average family's net worth is lower (adjusted for inflation) than it was in 1989. We're closer to the edge than our parents were at this age, and it's stressful. If this rings true to you, you're not alone. A report by the Federal Reserve Bank of St. Louis found that the middle class is better defined by stress and anxiety than stability and a solid income.

This rings true to me. I barely kept my business open during the Great Recession, but I ended up having to sell the house because the mortgage payments were too much. Things are better now, and debts are getting paid off, but I haven't taken a deep breath since 2009. Maybe you know the feeling.

As easy as it is to sit in judgment of The Briefcase, it's harder for me to sit at a remove and watch it happen to other people, because the problems the contestants face aren't so different from mine that they can't be solved by a pile of money. The conceit is disgusting and exploitative, but I can't help wondering how many people like me would go on the show.

Would you?

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"Entourage" the Movie - Who Cares?

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Movie Review - Jackie K Cooper
"Entourage" (Warner Brothers)

"Entourage" is a movie made for the fans of the popular HBO series of the same name. For those, like me, who never saw an episode this is a movie full of mystery. What is the basis for the plot; who are these actors; and more than that who are these characters and why should audiences care about them. I didn't know them going in and I didn't know or care about them as I was leaving.

As far as I can gather Vincent Chase (Adrian Grenier) is a young actor who has had some success in Hollywood. He now lives and works in Hollywood and has brought some of his good pals from back east to town with him. These include Eric (Kevin Connolly), Turtle (Jerry Ferrara) and his brother Johnny (Kevin Dillon). They make up his entourage. Ari (Jeremy Piven) is the man who discovered him and he is now running a Hollywood studio and wants Vincent to star in his next big movie.

Vincent agrees as long as he can direct the film and Eric can produce it. Johnny must also have a good role in the movie while Turtle is along for the ride. Larsen McCredle (Billy Bob Thornton) and his son Travis (Haley Joel Osment) are the money men behind the film. When the film goes over budget Ari has to try to wheedle some more money from McCredle.

While all of this is going on the audience gets a look at what goes on behind the scenes in Hollywood. It basically looks like Beach Party Bingo with bikinied girls making up most of the cast. To make it authentic people/actors such as Liam Neeson, Kelsey Grammer, Mark Rubin, Gary Busey, Bob Saget and Jon Favreau pop up for a quick hello.

The subplots involve Turtle trying to get a date with Rhonda Rousey. Eric is coping with possibly two pregnancies. Johnny is trying to be more than a joke as an actor. And Ari is trying to control his anger. All four don't add up to a smidgen of something interesting.

Grenier is one of the least charismatic actors I have seen on screen since Jake Gyllenhaal tromped through "The Prince of Persia". Dillon is totally unlikeable as Johnny but that's okay because I think he was intended to be unlikeable. Billy Bob is once more playing what we think of as "the Billy Bob Thornton" character, while Osment looks like he would enjoy seeing some "dead people" if that would liven things up.

The only actor to make a good impression is Piven as Ari Gold. He is in totally manic mood and it gives the film the little energy it has. I would happily go see a movie about Ari Gold if they would leave all those other characters at home.

The movie is rated R for profanity and nudity.

The fans of the TV series must have been a loud group because they got a slick movie made that takes up supposedly where the series left off. Here's to their success in getting it done. But now that it is made, how are you going to sell it to the rest of the country?

I scored "Entourage" a crowded 4 out of 10.

Jackie K Cooper
www.jackiekcooper.com

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